商品名
Luiz Bonf Jacaranda RARE 1973 Ranwood Records Original Monarch バイナル LP NM
(Luiz Bonf Jacaranda RARE 1973 Ranwood Records Original Monarch Vinyl LP NM
)
出品者コメント
Incredibly rare true 1st Ranwood Records Monarch pressing. Vinyl is in beautiful Near Mint condition. Cover shows moderate wear as seen in pictures. One of a kind record! Please look at all pictures and read all relevant details below before buying. Thanks for looking!
※ アメリカの現地出品者により作成されたため、英語のまま掲載いたしております。


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商品説明
※アメリカの現地出品者により作成されたため、英語のまま掲載いたしております。
Welcome to Classic Cadillac Records! My goal is to provide each and every customer with the best possible buying experience, no matter the size of the order. Unlike most sellers, I advertise all my items clearly and in as much detail as possible, without shouting at you in all caps. I take multiple high quality pictures and never use stock photos, so you know exactly what you?re buying. I take great pride in my work and go the extra mile, which can clearly be seen in my listings compared to other sellers that put minimal effort into theirs. I visually grade all my records as accurately as possible and will never grade anything above Near Mint unless it?s still sealed. Please note that a visual grade can differ from a play grade, and am happy to spot check a record upon request. All orders are shipped within 1 business day (usually sooner) and packed with extra care to ensure fast, safe arrival. I combine shipping on multiple orders to save you money and gladly ship worldwide. Please look closely at all pictures, read all relevant details and ask any questions you may have before buying. I offer a full 30-day return policy on everything I sell, so buy with confidence! And most importantly, thanks for looking! Luiz Bonf JacarandaGenre:Jazz, Latin, Funk / SoulStyle:FusionYear:1973After the initial shockwaves of Miles Davis' seminal fusion recordings began to settle, jazz rock fusion began to become a genre unto itself. What Miles had created as a way of opening both the disciplines up to one another -- in the same manner that bossa nova and rhythm and blues did in the 1960s -- created a slew of musical possibilities before fusion closed in on itself in the later 1970s and became its own restrictive genre, full of sterile, workmanlike chops, and endlessly repetitive rhythmic constructs. But perhaps no one, not even Weather Report's Joe Zawinul or Creed Taylor at CTI realized the full aesthetic and panoramic potential of fusing seemingly disparate elements together in an entirely new tapestry, the way that Brazilian composer and guitarist Luiz Bonf did on Jacarand in 1973. His collaborators, producer John Wood and arranger/conductor Eumir Deodato, assembled a huge cast of musicians in both New York and Los Angeles, and came up with nothing short of a grooving, blissed-out masterpiece of fusion exotica. The cast of players is in and of itself dizzying: Airto, Deodato, Bonf on acoustic guitars, Stanley Clarke, Wood, Mark Drury, Ray Barretto, John Tropea (on electric guitars), Bill Watrous, Randy Brecker, Idris Muhammad, Jerry Dodgion, Sonny Boyer, Phil Bodner, Maria Toledo, and many others -- including full string and horn sections. The ambitious Deodato charts opened up the principals and brought hard Afro-Cuban rhythms, softer Brazilian ones, funky riffing soul and RB interludes, and classical themes and variations, as well as sophisticated jazz harmonics and syncopation to a collection of tunes by Bonf and others. Sound like a mess? Hardly. This is one of the most disciplined and ambitions recordings to be issued during that decade. Here Bonf's gorgeous palette of samba and bossa melodies is married to film score dynamics, lush romantic cadenzas, smoking jazz grooves and cultured extrapolations of folk and popular music schemas. creating a stunning mosaic of color, release, pastoral elegance and bad-ass, intoxicating, polyrhythmic Latin soul vistas. While the entire album flows form front to back with seamless ease, there are a few standouts. The opener, "Apache Talk," features Barretto's congas creating a bottom for Muhammad's brushes and snare, as Clarke's bass plays one note insistently and hypnotically before Wood's Rhodes and finally Bonf's 12-string come shimmering in with a funky urgency that is underscored by Tropea's bluesy fills. When the horns finally enter, the entire thing is popping and grooving on its own punchy axis. It's a wonder that Gilles Peterson hasn't picked up on this cut yet. Elsewhere, Bonf's velvety tropical read of Enriqu Granados' "Dance No. 5," with its slippery classical guitar and extended harmonic palette, is a whispering wonder of sensual delight. The minor-key riffing in "Strange Message" that becomes a full-blown soundtrack-esque anthem is a wonder, and the jazzy soul of the title track with Drury's popping stand-up bass playing counterpoint to Bonf's 12-string before Muhammad and Wood kick it on the funky side is breathtaking (Man, if Ralph Towner could only play 12-string like this, he might have been a contender!). Reissued on the JR label, in magnificent, warm, crystalline, 24-bit remastered sound, the album contains an excellent essay on Bonf by executive producer Arnaldo DeSouteiro. This is the great fusion album that was never released here in the States, where the full possibilities of the new music were personified. If ever there were a case to order a CD online, this is it. It's so fine it's hardly even believable. -AllMusic Review by Thom JurekTracklistApache Talk6:40Jacaranda3:59Gentle Rain5:45You Or Not To Be2:30Strange Message3:26Don Quixote3:28Song Thoughts3:23Danse V5:43Empty Room6:52Sun Flower5:20
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